Press · Publications · Recognition

The work left a paper trail.

Covers. Editorials. Profiles. Bylines. Screen credits. My archive is built from the actual publication pages — not recreated artwork, generated covers, or substitute images.

The covers show where the work appeared. The credited pages show the work itself. The profiles and motion links show the wider record.

UNCOVER Magazine MarRayja editorial spread crediting SeanShotThat as photographer

UNCOVER · Vol. 472

AMIRI Magazine Edition 98 cover credited to Sean Saunders

AMIRI · Edition 98

Bold and Beyond Issue 920 page crediting Sean Saunders

Bold & Beyond · Issue 920

ISSUES

Magazine covers and issue context

PAGES

Editorial spreads and photographer credits

PROFILES

Interviews and press about my work

MOTION

Direct links to released video work and screen credits

Chapter one · the issues

First, the work had to earn the page.

These are the actual magazine covers and issue images from my archive. No stand-ins. No recreated cover art.

The strongest proof is simple: show the actual page.

AMIRI Magazine Edition 98 cover featuring Carli Rose and crediting photographer Sean Saunders
Open full page

AMIRI Magazine

Edition 98 · September 2025 · Cover photography by Sean Saunders

Chapter two · the byline

Then my name started living beside the photographs.

These are the pages where my work and photographer credit appear.

UNCOVER editorial spread featuring MarRayja with SeanShotThat photographer credit
Open full page

UNCOVER · Mar’Rayja

Vol. 472 · Photographer SeanShotThat @Sean.shotthat78

ALPHERO Magazine editorial page crediting Photographer Sean at Sean Shotthat78
Open full page

ALPHERO · Manifestminds_

Vol. 59 · Photographer Sean @Sean.Shotthat78

MAC Magazine Volume 518 SeanShotThat profile and editorial spread
Open full page

MAC · Coalee

Vol. 518 · Photographer SeanShotThat @sean.shotthat78

Perazim LA Magazine Issue 7 Dylan Earl feature with photography credit to Sean Saunders
Open full page

PERAZIM LA · Dylan Earl

Issue #7 · Photography Sean Saunders / SeanShotThat

Artells Magazine Rooftop Rizz editorial page crediting Sean Saunders as photographer
Open full page

Artells · Rooftop Rizz

Portrait November · Vol. 3720 · Photographer Sean Saunders @sean.shotthat78

ZALVIE Magazine published page listing Sean Saunders as photographer
Open full page

ZALVIE · Editorial credit

Vol. 319 · Sean Saunders photographer credit

Chapter three · behind the lens

Eventually, the story turned toward me.

At first, my name sat beneath the photographs. Then publications started asking about the person behind them. MAC interviewed me in Vol. 518. RLC Talent Magazine ran “SeanShotThat: Lasting Impressions.” VoyageLA featured me in Daily Inspiration. The story was no longer only the frame — it was the body of work behind it.

MAC Magazine Volume 518 SeanShotThat profile and editorial spread
Full page

MAC Magazine · Vol. 518

November 2025 · Interview/profile plus credited SeanShotThat editorial photography.

RLC Talent Magazine SeanShotThat Lasting Impressions profile
Full page

RLC Talent Magazine

“SeanShotThat: Lasting Impressions” · Photographer profile.

VoyageLA Daily Inspiration Meet Sean Saunders profile page
Full page

VoyageLA

Daily Inspiration: Meet Sean Saunders · July 13, 2026

The People's Artist page showing SeanShotThat Saunders advanced to the Top 20
Full page

The People’s Artist

SeanShotThat Saunders · Advanced to the Top 20

Verified publication archive

Not a logo wall. My verified publication record.

AMIRI Magazine · Edition 98
The GOAT Magazine · Issue 15
MOEVIR Magazine · February 2025
UNCOVER Magazine · Vol. 472
ALPHERO Magazine · Vol. 59
MAC Magazine · Vol. 518
ENZOMNIA Magazine · Autumn 2025-6
Artells Magazine · Vol. 3720
Bold & Beyond · Issue 920
ZALVIE Magazine · Vol. 319
RLC Talent Magazine · Lasting Impressions
PERAZIM LA Magazine · Issue #7
MEX MAGS · Fashion Edition · November 2025 · Vol. #00
SWING Magazine · Boudoir Edition · August 2026 · Vol. 655

The point of the page

The work has receipts. The next story could be yours.

You’re not booking a list of publication names. You’re booking the eye, execution, and follow-through that made those pages possible in the first place.